| 1999 | 'herman de vries. was wieso vonwo wohin', Galerie Mueller-Roth, Stuttgart |
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| 2001 | 'herman de vries. texte und tatsachen', Museum für Konkrete Kunst, Ingolstadt |
| 2015 | 'herman de vries. to be all ways to be', Biennale Arte 2015, Dutch Pavilion, Venice |
rasenstück (phalaris arundinacea)
| catalogue number: | hdv 1998.043.18 |
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| date created: | 1998 |
| classification: | the real works: assemblages & collages |
| work type | pressed plants & seeds |
| medium: | canary grass (phalaris arundinacea), pressed between glass and board |
| dimensions: | 198 × 69 cm |
| signature and inscriptions: | signed (with initial) and dated on the front (graphite pencil) titled, signed and dated on the reverse [?] |
| edition: |
| current repository: | private collection, Stuttgart |
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| current repository number: | |
| collecting history: | |
| related works: | |
| comment: | |
| photo/scan: | studio herman de vries/Bruno Schneyer, Zeil am Main |
| rights & reproduction: | herman de vries |
exhibition history
published references
| monograph | herman de vries (Galerie Aline Vidal/Anthèse : Paris 2000) image repr. on page 51. |
|---|---|
| exhibition catalogue | herman de vries. texte und tatsachen (Museum für Konkrete Kunst : Ingolstadt 2001) image repr. on page 59. |
| monograph | Mel Gooding, herman de vries. chance and change (Thames & Hudson : London 2006) image repr. on page 68. |
| exhibition catalogue | herman de vries. to be all ways to be (Valiz/Mondriaan Fund : Amsterdam 2015) image repr. on page 56. |